By Robert Alter
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Additional resources for Imagined Cities: Urban Experience and the Language of the Novel
Four. within the dialogue of this passage in addition to of the subsequent one, i've got borrowed a couple of sentences from my essay “Reading sort in Dickens,” Philosophy and Literature 20, no. 1 (April 1996), pp. 130–137. five. Michael Cotsell, The better half to “Our Mutual pal” (London: Allen and Unwin, 1986), p. 193. bankruptcy five. Bely: Phantasmatic urban 1. an invaluable account of the assumption of Petersburg in Russian tradition are available in Michael Holquist’s “St. Petersburg: From Utopian urban to Gnostic Universe,” Virginia Quarterly evaluate, forty eight, no. four (Autumn 1972), pp. 539–557. 2. Andrei Bely, Petersburg, tr. , annotated, and brought through Robert A. Maguire and John E. Malmstead (Bloomington: Indiana college Press, 1978). All next citations are to this version. three. i'm indebted to my colleague Eric Naiman for calling my awareness to this concept. bankruptcy 6. Woolf : city Pastoral 1. Alfred Appel Jr. , The artwork of get together (New York: Knopf, 1992). 2. Virginia Woolf, Mrs. Dalloway (New York: Harcourt Brace Jovanovich, 1981), p. seventy one. All next citations are to this version. NOTES TO PAGES 122–146 163 ) bankruptcy 7. Joyce: Metropolitan commute 1. James Joyce, Ulysses (New York: Random condo, 1961). All next citations are to this version. 2. Clive Bell, “Plus de Jazz,” reprinted in in view that Ce´zanne (London: Chatto and Windus, 1922), pp. 217–230. three. Virginia Woolf, The Essays of Virginia Woolf, vol. four (London: Hogarth, 1988), p. 434. bankruptcy eight. Kafka: Suspicion and the town 1. Franz Kafka, the total tales, ed. by way of Nahum N. Glatzer (New York: Schocken, 1971), p. 434. All next citations of Kafka’s tales are to this variation. 2. Mark Spilka has committed a e-book to tracing those connections. See Spilka, Dickens and Kafka: A Mutual Interpretation (Gloucester, Mass. : P. Smith, 1969). three. Franz Kafka, The Trial, tr. with a preface by way of Breon Mitchell (New York: Schocken, 1998), p. three. All next citations are to this version. Index Ableukhov, Apollon Apollonovich (character), 85–86, 88, ninety three, a hundred Ableukhov, Nikolai Apollonovich (character), 88, 89, ninety two, ninety seven; on apocalyptic destruction, a hundred; doorway passages of, 95–96; fragmented notion and, ninety three, ninety four organisation, lack of, forty nine, fifty four, 129, 143 alienation, 103, 139, 159 allegory, 7, forty six, a hundred and twenty alliteration, seventy four, 103 anaphora, seventy four angst, 103 anomie, five, 19, 103, 123 anxiousness, ninety three, 143, 147 apocalypse: in Bely, ninety six, 99–101, 122; in Dickens, sixty six, eighty, eighty one, 122, 157; in Joyce, 122; in Kafka, 142–43 Appel, Alfred, Jr. , 104 archaic imaginative and prescient, forty seven, fifty three, fifty eight, 60 archeology, one hundred fifteen, 117 structure, five, 30, forty nine, eighty four, 141; group and, one hundred fifteen; myth and, forty seven; railway terminals, three; number of urban lifestyles and, 104 Arnoux, Mme (character), eleven, 12, sixteen, 26, 28, 38 paintings novel, forty four paintings of occasion, The (Appel), 104 Atwood, Margaret, 6 Austen, Jane, 6 Auster, Paul, 159 Bakhtin, M. M. , 1, 134, 136, 137 Balzac, Honore´ de, four, five, 7–10, eighty; info and, 147; Dickens in comparison to, forty eight, fifty six, sixty three; delusion parts in, 30; Ferragus, 9–10; Flaubert in comparison to, 15; the woman with the Golden Eyes, 7–8, nine; Human Comedy, 39; misplaced Illusions, 33, 37; Louis Lambert, 30; narration in, 24, 32–33, seventy six; as Parisian consultant, 8–9; Peau de chagrin, Le, 30; Zola and, forty three ( a hundred sixty five ) ( 166 Banfield, Ann, 2–3, 6; Unspeakable Sentences, 2 Bargeton, Mme de (character), 33 Barnaby Rudge (Dickens), forty five Barthes, Roland, 24, forty-one Baudelaire, Charles, 25, ninety eight; “Cygne, Le,” four Bell, Clive: “Plus de Jazz,” 127 Bely, Andrei, 37, eighty three, a hundred and fifteen, 121, 129, 142; anthroposophic ideals, ninety six; apocalyptic viewpoint, 122, 143; “cerebral play” and, 86, 102, 106– 7; on skull as enclosed field, a hundred and ten, 111; Flaubert in comparison to, ninety five, 106–7; Joyce in comparison to, 125–26; language and, eighty five; political beliefs, ninety.