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Interview with Mathieu Kassovitz’, p. 184. Beugnet, Martine, Marginalité, sexualité, contrôle dans le cinéma français contemporain. Paris, L’Harmattan, 2000, p. 14. CRS stands for ‘Compagnies Républicaines de Sécurité’. The CRS have been created on the Liberation to revive order and used to repress moves and different unrest, for example through the Algerian struggle. They obtained a infamous recognition with the repression of the might 1968 scholar occasions. Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 189. Konstantarakos, Myrto, ‘Which mapping of town? los angeles Haine (Kassovitz, 1995) and the cinéma de banlieue’, in P. Powrie (ed. ), French Cinema within the Nineties, p. 162. Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 185. N A R R AT I V E , S T Y L E A N D I D E O L O G Y I N L A H A I N E seventy seven 10 on the time of los angeles Haine, this would were a connection with deadly Weapon 1 (1987), deadly Weapon 2 (1989) and deadly Weapon three (1992) – all directed through Richard Donner. eleven Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 184. 12 Ebert, Roger, The Chicago Sun-Times, four April 1996. thirteen Mise en abyme (or mise en abîme), at the start a time period of rhetoric, ability the embedding of 1 tale into one other, or of 1 technique into one other. 14 Kassovitz, Mathieu, remark, Canal+ DVD, los angeles Haine, 2001. 15 details for this part comes from Kassovitz’s remark, Canal+ DVD, 2001. sixteen Taubin, Amy, ‘Primal screen’, The Village Voice, 2–8 August 2000. 17 Perkins, V. F. , movie as movie: figuring out and Judging video clips. Harmondsworth, Penguin, 1972, p. forty five. 18 Kelly, Richard, The identify of this e-book is Dogme95. London, Faber & Faber, 2000, p. nine. 19 Dyer, Richard, White. London and ny, Routledge, 1997, pp. 98–99. 20 A awesome exception is Jean-François Richet’s movie État des lieux. 21 those scenes are seen as supplementations at the Canal+ DVD l. a. Haine, 2001. 22 Boulay, Anne and Colmant, Marie, Libération, 31 may possibly 1995. 23 Aumont, Jacques and Marie, Michel, Dictionnaire théorique et critique du cinéma. Paris, Nathan, 2001, p. 158. 24 Bordwell, David, ‘Intensified continuity: visible kind in modern American film’, movie Quarterly, Spring 2002. 25 Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 188 26 Ibid. , p. 191 27 Canal+ DVD, los angeles Haine, 2001. 28 Rémy, interview with Mathieu Kassovitz. 29 J. D. , ‘interview du fanzine Steadycam’. 30 within the observation at the Canal+ DVD, Kassovitz exhibits that he went so far as a portray a plastic bag in opposite to signify its reflect photo. 31 J. D. , ‘interview du fanzine Steadycam’. 32 Canal+ DVD. 33 Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 189. 34 Ibid. , p. 188. 35 Ibid. , p. 192. 36 Mongin, Olivier, ‘Regarde les tomber; à propos de l. a. Haine’, Esprit, August–September 1995, p. 178. 37 Ciment and Herpe, ‘Interview with Mathieu Kassovitz’, p. 192 38 Tranchant, Marie-Noelle, Le Figaro, 27 may perhaps 1995. 39 a quick extract from Edith Piaf ’s ‘Je ne regrette rien’, ‘sampled’ through the DJ. Piaf ’s music will be doubly ironic, as a logo of populist Frenchness, and because the anthem of ultra-right paratroopers throughout the Algerian warfare.