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By Hugo Munsterberg

Hardback publication with dirt jacket titled the humanities OF CHINA.

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Early chinese language Pottery and Porcelain, London, 1953 Hobson, R. L. :Chinese Pottery and Porcelain, London, 1915 _____: chinese language Pottery and Porcelain within the David assortment, London, 1934 _____: Later Ceramic Wares of China, London, 1925 _____: The Wares of the Ming Dynasty, London, 1923 (reissued, 1962) Honey, W. B. :The Ceramic artwork of China and different international locations of the some distance East, London, 1945 Jenyns, S. :Later chinese language Porcelain, London, 1959 _____: Ming Pottery and Porcelain, London, 1953 Pope, J. Α. :Chinese Porcelains from the Ardebil Shrine, Washington, 1956 _____: Fourteenth Century Blue and White, Washington, 1953 Index abhaya mudra, Buddhist gesture, ninety two album leaves: ascribed to Ch'ien Hsüan, 158; of Sung painters, one hundred forty five Alsdorf assortment, one hundred twenty five, 126 Altar of Heaven, 178 amphora, T'ang, 126 Andersson, J. G. , 22 animal figures: in Chou sculpture, sixty seven, sixty eight; in Han sculpture, eighty one, eighty five ; in Shang artwork, 39,44,46; as water and fertility symbols, 24. See additionally bears, bison, bull motif, deer, horses, lions, tiger motif Anyang: ceramic unearths at, forty five; as Shang capital, 37, forty seven Ao, first Shang capital, 37, forty seven apple-green, colour on K'ang Hsi ware, 217 apsaras, ninety five. See additionally Avalokitesvara, Bodhisattvas, Kuan Yin structure: Han, 87; past due Chou, sixty nine; Ming, 176-78; Shang, forty six; Six Dynasties, ninety six; Sung, one hundred fifty; T'ang, 122-23; T'ang and Sung in comparison, a hundred and fifty; Yüan, 169 Arhats, 121, 157, 176 ash glaze, on Shang ceramics, forty five. See additionally glazes authenticity, challenge of judging, 107,135, 196 autumn scenes, in Sung panorama portray, 132 Avalokitesvara, ninety two, 121. See additionally apsaras, Bodhisattvas, Kuan Yin bamboo: as Yüan image, 168; in Sung work, 149 Bamiyan, titanic Buddha statue at, ninety three baroque sort: in past due Chou bronzes, sixty five; in T'ang sculpture, in bears: in Han lien, 86; Shang carvings of, forty four. forty six bell, Chou, sixty five belt buckles, Han, 87 Benedict II (pope), burial garment of, 168 bird-and-flower designs, 151, 152, 174, 214; in work, 145-46, 157, 174, 198; in woodcut prints, a hundred seventy five poultry motifs, forty, forty two, forty four, sixty five, sixty six, eighty three, 86. See additionally phoenix, sunlight poultry bison, illustration of, sixty six black monochromes, a hundred ninety blackish-brown glaze, 152 black ware, 24, 25 Blanc-de-Chine, 176 blue-and-white ware: Ch'ing, 214; Ming, 178, 189; Yüan, 168 Bodhidharma, 148 Bodhisattvas: work of, 121-22; sculptures of, 92,93, 111, 121. See additionally apsaras, Avalokitesvara, Kuan Yin bone carvings, forty four e-book of alterations, forty nine. See additionally chinese language Classics booklet of background, forty nine. See additionally chinese language Classics publication of Songs, 39, forty nine Boston Museum of excellent Arts, eighty three, 84,111, one hundred twenty five, 134, 146. 149 British Museum, London, a hundred thirty five Bronze tradition, 21 bronzes: Buddhist, 91-94, 109, 112; Chou, fifty one, fifty two, sixty five, sixty six, 86; Han, 86; Ming, one hundred seventy five; prehistoric, 24; Shang, 37, 38, 39, 43,45; T'ang, 112, 121 Brundage assortment, sixty five brushwork: of Ch'ing literati, 197; of Han painters, eighty three; of Sung painters, 134, one hundred forty five, 149, 152; of Wu Tao-tzu, 123 Buddha: Amitabha, 121; Gautama, 50; photographs of, Six Dynasties, ninety two; photos of, T'ang, 111, 112; Sakyamuni, ninety; Vairo-cana, hello.

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